Friday 17 June 2016

Blind and Bigoted view of The Constant Gardener


In an article published in Occidental Observer, White Identity, Interests and Culture, entitled Moral and Aesthetic Idealism among Whites: The Constant Gardener, Kevin MacDonald wrote that

Although Tessa gets married to the White diplomat, (Justin Quayle, the Constant Gardener)  her heart is in all things African.  We see her flirting with an African doctor, openly consorting with him at a high-level cocktail party, then opting to have his baby in a hospital swarming with poor Africans, except for the White nurses and doctors. The birth of the baby happens as though it is part of the natural order of things—the husband is just fine with it, acting as if there’s nothing to notice, while the father of the baby looks on proudly. Tessa’s only thought is to help the poor African girl in the next room.  Oddly, we are given only brief glimpses of the baby—as if the director didn’t think the audience would be quite ready to relate to the child of a married White woman and her very African lover.

One can’t help feeling the tension in the scene with the miscegenated baby. We expect at least that Justin would feel anger and betrayal, perhaps get a divorce and somehow find a way to get this experience behind him.

Adopting non-White children and sponsoring poor and oppressed immigrants to the West is nothing if not fashionable.  Again, the power of the media to intensify or minimize our natural tendencies.  Wearing badges identifying one as an upholder of contemporary moral conventions is an excellent way to win the respect and adulation of others.

If you have ever seen the film or read the book you will immediately see how he has failed to grasp the plot.

MacDonald then goes on to say that

Everything we know about psychology shows that our rational faculties can suppress our evolved tendencies.    Moral and aesthetic universalism are no different as biological tendencies among Whites that need to be controlled in order to produce adaptive behavior—no different, say, from controlling ethnocentrism or our evolved mating psychology.   A great deal of psychological research shows that White people do in fact engage in effortful control of ethnocentrism, usually to protect their reputation in politically correct environments like universities.

These biological tendencies can be controlled. And the fact that such traits are hardly universal among Whites will make it all the easier. But first we have to obtain a media presence where we can clearly and articulately make the argument for moral and aesthetic particularism as a rational necessity in the modern world’.

‘As if the director didn’t think the audience would be quite ready to relate to the child of a married White woman and her very African lover?’  And    the miscegenated baby?     Did you notice that white is always ‘White’ and the word black, or Black, does not appear?     

Of course this as racist.     In The Occidental Review’s mission statement I read that
The Occidental Observer will present original content touching on the themes of white identity, white interests, and the culture of the West.  Such a mission statement is sure to be dismissed as extremism of the worst sort in today’s intellectual climate—perhaps even as a sign of psychiatric disorder. Yet there is a compelling need for such a site. A great many other identifiable groups in the multicultural West have a strong sense of identity and interest, but overt expressions of white identity and white interests (or European-American identity and interests) are rarely found among the peoples who founded these societies and who continue to make up the majority.

This is a completely unnatural state of affairs—the result of a prolonged assault on the legitimacy of these concepts by cultural elites that have dominated public discourse on issues of race and ethnicity since before World War II.  We reject labels such as “white supremacist” or “racist” that are routinely bestowed on assertions of white identity and interests as a means of muzzling their expression.  All peoples have ethnic interests and all peoples have a legitimate right to assert their interests, to construct societies that reflect their culture, and to define the borders of their kinship group.’

So MacDonald has used The Constant Gardener to illustrate his theme.   He sees But he  utterly misunderstood what he had seen.    He is wrong about the paternity of the child – and indeed, even its maternity.   He is wrong about the relationship between Tessa and Albert, her African colleague, and about Albert’s sexual orientation. Her child is stillborn, we never see him.  The child she is nursing in the hospital belongs to a sick African girl in the next bed.   We then see the African grandmother carrying the child at the start of a 40 kilometre trek home.   Tessa has no child to take home.    Justin is relieved to discover that Albert is  gay – and in a committed relationship with a man.    All of this is clear in the film.

Why do I make such a fuss?  Because Kevin MacDonald is  Editor of The Occidental Observer a the much published  writer an retired Professor Emeritus of Psychology at California State University–Long Beach.    Much of his work has centred on Judaism, and has been seen as anti-Semitic. 

I am happy to report that according to Wiki  ‘The university's psychology department, as well as the California State University, Long Beach academic senate, voted to formally dissociate themselves from his work in 2008.     The academic senate issued the following statement:

"While the academic senate defends Dr. Kevin MacDonald’s academic freedom and freedom of speech, as it does for all faculty, it firmly and unequivocally disassociates itself from the anti-Semitic and white ethnocentric views he has expressed."  

Bur isn’t it strange, and even frightening, that a man with such academic  record and intelligence cannot even follow the plot of a movie?   

As my grandmother used to say ‘there’s none so blind as them as don’t want to see!’  Or who only see what they want to see.  


On a positive note, the popularity of both book and film of The Constant Gardener helped, we are told, to raise consciousness of the Pharma’s behavior in Africa, and the cause of those campaigning for change in the UN.