Friday 22 January 2021

Grace and Danger; The Tree of Life's implicit Theology.

 

In Terrence Malick’s  film The Tree of Life we learn of the death of a 19 year old boy, known as RL.   Most of the film in concerned with his elder brother, Jack, and the spiritual crisis he experiences on an anniversary of RL’s death.  But at the beginning of the film we are with his mother, and her immediate response to this tragedy.  She loves God,  and has been taught that ‘those who follow the way of Grace come to no harm.’   She believes that we have to choose between Grace and Nature,  nature ‘red in tooth and claw’.  But her teenage boy was full of Grace, and he has come to harm,  he is dead.

The mother questions God, but God makes no verbal reply.   Instead Malick offers us a visually spectacular 15 minute sequence telling of the creation of the Universe, the formation of planets and the emergence and evolution of life.    Some find this section of the film incomprehensible, or irrelevant.    Having seen and discussed this film many times I offer this, my response to it,  putting these words into the mouth of the Creator. 

Your child has died.  He was 19 years old.  This is tragic.  Because you love your child you scream and grieve and weep and rage and question.     You question me, asking

Why?
Did I know?
Where was I?
What do you mean to me?

Let me answer you.

You conceived your child in love, carried him in hope, birthed him in joy and pain.    You were pregnant for nine months.    I waited nine billion years for life to be conceived on planet Earth.   And four billion years more before it could give birth to you, my children, made in my own image.    You too were conceived in love, carried in hope, birthed in joy and pain.  

Life itself is my Creation gift to you, and it takes time.   Just as your beloved child grew slowly, cell by cell within your womb, my universe also grew slowly.     I spoke and the Universe sprang into existence, and then particle by particle, photon by photon, atom by atom, element by element, grain by grain, it grew within my womb.  

My womb?     Where else?  There was and is nowhere outside me, beyond me, outwith me, so the only place my universe could be is within me.    That genesis created everything you see and know, and everything you cannot see and will never know.     

Gravity was in my left hand and randomness in my right,  and these tools brought order out of chaos,  and then life out of the inanimate.      I created my Universe to live and to bear life itself, and more – life that is in my own image, the image of love.     Giving, self-giving, compassionate, forgiving love.  Love that cares,  love that hurts and grieves.    Grieves because there is no creation without destruction and no life without death.   That is the story of this Universe.    

Every atom in your body was created in the furnace at the heart of some distant sun.    Hydrogen and helium, the only atoms in that first moment,  had to be remade there, fused together under unimaginable pressure to form oxygen, carbon,  nitrogen, iron, calcium and phosphorus,  potassium, sulfur, sodium, chlorine and magnesium.  You need all of these elements to simply be.    These suns burned for billions of years and then they had to die, burn out, explode and seed the interstellar space with these new atoms.    Atoms that gathered under gravity’s gentle push, gathered and clumped, formed dust clouds, then rocks, asteroids and planets.     

How many planets have to form before one can be a cradle for life?    The number would be meaningless to you, as would the trillion of minute actions and reactions needed for these earth-bound atoms to be combined and recombined, to mutate as randomness did its amazing work,  countering entropy by bringing order out of chaos, complexity out of simplicity, forming chemical compounds, amino acids, bacteria,  single and multi-celled beings;  all your ancestors.    Some think that evolution is not miraculous, but that is only because they want miracles to be instantaneous.    My Creation miracle took thirteen billion years, and turned hydrogen and light into love.   Is that not miraculous enough?

You were taught that you must choose between Grace and Nature.   That is a false dichotomy.    You thought that your child could escape the dangers of Nature by choosing Grace.    But Grace needs a natural form to inhabit.   Grace needs the cradle of Nature to find a home in.    And do not presume that you are the only living things capable of Grace. 

You are compassionate. You feel the pain of others.  The suffering of others stirs deep feelings, often of anger, in your hearts.   Of course you want a world where there is no suffering.  Sometimes when you see suffering you call it evil and are angry with me.   
How can a loving God allow such suffering?      So they blame me for allowing harmful as well as beneficent bacteria to evolve, or for allowing the movement of tectonic plates to cause earthquakes.   Some would like me to temporarily suspend the laws of gravity when falling objects hurt, or when falling hurts bodies.    Some people seem to want fire that does not burn, water than does not drown.      To eat without killing.   But do you think that if I could have created you, and your beloved children, without suffering and death being part of it, without Nature being as it is, without your Universe being as it is, I would not have done so?    

I also have to live, like you,  with the necessary randomness that makes life possible and unpredictable.    Randomness and gravity, my necessary creative tools,  mean that life is fraught with  danger.   Maybe that danger makes it precious.   Would I not have spared myself the waiting, the dying, the grieving, if I could?    


If you look at Nature and hate it, and me, if you blame me and fear me, reject me for the death and loss and destruction you see in the world,  then before you condemn me, consider this.   It has taken your kind half a million years to learn how to take atoms apart.    How long do you think it would take you to put them back together, to create them, to create enough to make your own Universe,  and to breath life and love into your creation?    How long would it take you to make a Universe in your own image, because you despise this one, made in mine?

You husband is an inventor, proud of the patents for his devices.   I am proud of my devices too.    Your eldest son is an architect.  He knows that form has to follow function.  
Function dictates form.      Otherwise building fall apart.     I am the architect of the Universe, and it also has a function.    Love is that function; to love and to be loved.   

This Universe has become aware, and has learnt to love.   It took thirteen thousand million years for you to learn this, in your tiny corner, but in all that time my Universe has not fallen apart.    It is well made.    And just as your child grew from its conception as a single cell, with no interference from you, save sustenance, my Universe grew from a single moment, just one event, and grew to what it is, with no interference from me, save sustenance.  As it is, it was from the beginning. 

O yes, I know some believe I could create this Universe and all living things in days, not billions of years,  and  make you out of mud in an instant.   They wonder why I did not make a Universe in which there was no suffering.   Maybe I could have done so.   It would be a different Universe.   And in such a Universe would you be truly human?   Would you have your capacity for costly love, for compassion, for Grace.   Would you be made in my image?   Would you be so intimately connected to the whole of creation?      And could I be truly incarnate?    At One with you?    

Your beloved son has died, and you grieve.  How many of my beloved have I seen die?     If you believe that I love, then you know that I grieve for your boy too, and for every living thing.     You live today in the shadow of his death.   Because I gave you the capacity to choose love and Grace I had to also give you the capacity to turn away from them.   So I too live in the shadow of death.   The death of the Cross, of the Holocaust, of Hiroshima, of the Gulags and the Killing Fields.    I live in the darkness cast by the fear that lives in the heart of every child, every woman, every man subjected to abuse, to violence, to hatred.     These are not my actions, but yours. 

You grieve for what you value.     So add this to the value of your boy.  In him his elder  brother, Jack, found me.   Found the love and trust and forgiveness and Grace – and the creativity – that are my image.   For RL, his brother, your child and mine, lived and lives in love.   All who live in love live in me.  And I live in them.    In all eternity.    

Because you love your child you grieve and weep and rage and question, asking 

Why?   
Because there is no other way.

Did I know?   
Yes.

Where was I?   
With you.  Within you.

What do you mean to me?   
Everything.



So there's nothing good on Netflix, except maybe...

The I was a late convert to Netflix.  It took the first too items on my list to get me two sign up, but I am glad I did.

Here's my current top 70.   They might not al  be available in your regions, but it's worth having a look if you are reminded or intrigued.


The Two Popes, with Antony Hopkins and Jonathan Pryce impersonating Pope Benedict and the future Francis in imagined meetings, but ones  that draw their dialogue from their own real writings and quotes.  Maybe thought a bit specialist, but I really don't think so. The acting is superb. 

    

Springsteen On Broadway, a man, a piano, a guitar, sometimes Patti joins in too as he tells his life stories illuminated by his music, sings his songs, illuminated by his stories – and his passions.       

 

Inception, Christopher Nolan’s mind bending SF thriller,  with de Caprio,   

  

Blackklansman, Spike Lee’s retelling the true story of the infiltration of a black LA cop into the KKK back in the 70’s, shockingly relevant today.  The film is dedicated to Heather Heyer, and opened in the US on the anniversary of her death, hit by a car in Charlottesville, VA while protesting against the Unite the Right rally there on Aug 12. 2017.  Starring   John David Washington and Adam Driver.       

 

The Trial of the Chicago Seven.  Aaron Sorkin’s script and a great cast make some sense out of the chaotic Chicago ‘riots’ and political trial of the Yuppies and Black Panthers who were jointly charged with inciting it.  Topical?   

 

The Truman Show, Jim Carey , not gurning here,  in Peter Weir’s intriguing parable.   

 

 I Lost My Body, a delightful French  animation.  

 

Okja, I love Bong Joon Ho’s movies, all the way back from his 2006 Host to  Parasites, and this one has Tilda Swinton and Paul Dano in it.   Another parable, this one on our consumer society, made with wit and affection.  

 

Children of Men,  Alfonso Cuaron’s brilliant take on P D James (non-crime) novel, with Clive Owen, Michael Caine and Julianne Moore.     

 

Ex Machina, one of the most intelligent movies about A1, written and directed by Alex Garland,  with Domhnall Gleeson. Oscar Isaac and Alicia Vikander.  

 

Being John Malkovich, Charlie Kaufman's truly bonkers movie, with John Cusack, Cameron Diaz and the eponymous Malkovich.      

 

The Imitation Game.  The tragedy of Alan Turing’s persecution frames the WW2 Bletchley Park Cyber-breaking story.   Cumberbatch as Turing is, as usual, brilliant.   

 

The Martian, a Ridley Scott SF movie, but a long way from Alien, with a very realistic – and surprisingly funny – account of what surviving on, and being rescued from, Mars might mean, with Matt Damon and Jessica Chastain heading up a great cast. 

 

The Birdman (or The Unexpected Virtue of Ignorance).  Alejandro Iñárritu’s  movie looks like one shot, but that’s not the point.  Michael Keaton, Edward Norton,  Emma Stone, Naomi Watts and Andrea Risborough play together rather wonderfully – and Keaton is brilliant.  

 

 The Big Lebowski  the cult Coen Brothers/Jeff Bridges ‘Dude’ movie.  Love it or loath it.    I love it.  

 

Your Name, a Japanese anime, poignant, funny, beautifully drawn, and rather mysterious.  

 

The Theory of Everything,  biopic of Stephen Hawkins’s life, work and marriage, largely drawn from his first wife’s account, played by Felicity Jones.  Eddie Redmayne deserved his Oscar.  

 

O Brother Where Art Thou.   Great Coen Brother’s script and Direction, George Clooney,  John Turturro and Tim Blake work so well together, and the  music is gorgeous. 

 

True Grit, the Coen’s adaptation of the book, not a remake of the film, with Jeff Bridges, Matt Damon  and the amazing young Hailee Steinfeld. 

 

Captain Fantastic is not a Marvel superhero movie, but Viggo Mortenson leading his family in a very ‘off-grid’ life.    Funny, moving and thought provoking. .  

 

Atonement.   Saoirse Ronan’s breakthrough movie and a  wonderful adaptation of a great novel, directed by Joe Wright, (The Darkest Hour, Hanna.)

 

Bridge of Spies.  Tom Hanks and Mark Rylance star in Spielberg’s pretty true telling of the fate of a top 1950’s  Russian Spy who was exchanged for the U2 pilot Gary Powers.   If you go down to my full review you will see what Spielberg did not/could not  say about the spy’s real identity, maybe because the CIA/FBI were too embarrassed to admit it.   

 

The Handmaiden; Chan-wook Park  adapted Sarah Water’s novel Fingersmith, set in Victorian London,  to the 1930’s Korea.  This is a corkscrew narrative, and (properly) erotic.  

 

All Is True.  The later years of Will Shakespeare, when he retired from London to be with his wife and daughters.  Ken Branagh (who also Directed of course), Judi Dench and a scene stealing Ian McKellen.     

 

 The Little Prince, a delightful French animated retelling of the classic. 

 

Three Billboards Outside Ebbing Missouri.   I think this is the best Martin McDonagh movie so far (and I love In Bruges) with outstanding performances from, among others, Woody Harrelson, Frances McDormand and Sam Rockwell. 

 

Paddington/Paddington 2.   So funny, so heart warming, so persuasive, so richly appealing to children and adults,  both have great performances from  star studded casts.  If you haven’t seen Paddington do yourself a favour, and do. 

 

The King’s Speech. A fine movie about a severely  dysfunctional family, and how an unlikely therapist helped one member recover.  With Colin Firth, Geoffrey Rush and Helena Bonham-Carter.     

 

The Soloist  a true and redemptive story about a genius musician on the streets, with Jamie Foxx and Robert Downie Jnr.     

 

Rush  is about the rivalry between  the F1 racing drivers James Hunt and Niki Lauder, well impersonated by Chris Hemsworth and Daniel Bruhl.   This and Le Mon 66 are a matching pair, and if you like racing you should not miss either.  In fact if you like well made movies about competitive men you also shouldn’t miss them.

 

Changeling  and another fact based story, this one about a single parent  woman whose young son disappears, and is then found by the FBI.   Except that she says it is not her son.   Clint Eastwood directed and Angelique Jolie acted the mother’s role with great conviction. 

 

The Life of Brian.   Some of the jokes are so well known they are now clichés, but only because they are so funny.   In fact the Monty Python crew knew their subject well, which is why they could satirise it so well.   ‘It’ is not, of course,  Jesus, but blind religiosity.  

 

Out of Africa.    Karen Blixen’s autobiographic tale of running a farm in Africa,  with another amazing personification of a real woman by Meryl Streep, ably assisted by Robert Redford and Klaus Maris Brandauer. 

 

Midnight Cowboy.    When this first came out we had just seen Dustin Hoffman as Benjamin in The Graduate, and seeing him here as  Rizzo showed us what a great actor he is.  Jon Voigt is pretty good too.  

 

The Social Network.  I will watch anything written by Aaron Sorkin, from The West Wing, through The News Room.  Jesse Eisenberg is brilliant – but his performance maybe persuaded some folk that he is actually like Zuckerberg, the way Brando’s in On the Waterfront led some to think that mumbled in real life too.     

 

Galaxy Quest maybe the best sf comedy ever, with Sigourney Weaver and  Alan Rickman Allan spoofing themselves and Star Trek.  

 

Winter’s Bone.    Jennifer Lawrence’s first leading role, as a 17 year old trying to find her bail-jumping father in order to save the family home; set amidst modern American poverty-stricken rural desolation.  One of the movies I most admire. 

 

The Prestige. Christopher Nolan’s adaption with Hugh Jackman and Christopher Bale (not to mention Scarlett Johansson, Michael Caine, David Bowie and Andy Serkis) in a typically complex thriller set in the world of magicians. 

 

One Flew Over the Cuckoo’s Nest.   Such a classic. Jack Nicolson at his absolute best in this adaptation of  Ken Kesey’s novel.  I am certain that Ken Kesey did not write his book, nor Milos Forman make the film, thinking of Frank McMurphy as Christ, the Nurses as Pharisees, Billy as Judas or Chief Broom as Peter, but for me (using my post-modernist license) they provide a powerful and challenging way to see the passion of Christ.

 

A Star is Born  (2018) I was a late convert to Lady Gaga (it took hearing her duetting with Tony Bennet to do that),  but her singing and acting her are better (IMHO) than Judy Garland’s and Bradley Cooper’s Directing, music and acting match her equally. 

 

 Shadow,  Zhang Yimou made some of my favourite Chinese movies, including  Hero and House of Flying Daggers with their brilliant use of colour.  In Shadow, another historical wuxia movie, he used black and a million shades of grey instead,.  Visually stunning – if a bit confusing plot wise at times. 

 

Captain Fantastic,   Not a Marvel superhero movie, but Viggo Mortenson leading his family in a very ‘off-grid’ life.    Funny, moving and thought inspiring. 

 

 Groundhog Day, one of my all-time favourite movies, and (ironically) watching it again and again is fine.   Bill Murray’s top act? 

 

Lost in Translation is as different as could be, but Bill Murray is almost as good in this one. 

 

Enola Holmes is Sherlock’s younger sister, with Helena Bonham Carter, Henry Cavil and Fiona Shaw.  Millie Bobby Brown leapt to fame five years before - at the age of 11 - in the series  Stranger Things(also on Netflix).  Here she masters the art of ‘breaking the fourth wall’ with ease and wit. Unending fun.    

 

Jojo Rabbit Written and Directed by Taika Waititi, Jojo is in the Hitler Youth, and Hitler is his imaginary friend, but no friend of his mother (Scarlett Johansson) who is hiding a Jewish girl.   Do you expect this to be funny?  It is, it really is.  

 

Hunt for the Wilderpeople.  Another Taika Waititi movie, set in his native New Zealand, where Sam Neil, a curmudgeonly Foster parent has to take his young ward into the bush to save him from a vengeful Social Worker. 

 

Edward Scissorhands.  When did you last watch it? 

 

The Graduate, or this?

 

Catch Me if You Can.   Di Caprio and Hanks, and an amazingly true story- with a genuinely left field ending. 

 

American Beauty.   I still have some unease about this movie.   We had a very fierce discussion about it and a Film and Faith Weekend when it first came out,  but there are just so many great moments and performances I have to recommend it.

 

Citizen Kane.  Is this the ‘Paradise Lost’ movie?  The one everyone knows about, but very few seem to have actually watched?  I  mean, have you read it?  I studied it art A level, but would not say I had actually read it!

One problem is that nearly all the things that were innovations in Kane have become commonplace, so we can forget how great it was – and still is. 

 

Memento.   Easily over looked, but Christopher Nolan let us know with this film that a new star had risen.   

 

Toy Story 4.  I said on my blog that after winning 3 Gold Medals with the trilogy this was not necessary, but it was a worthwhile ‘Victory Lap’.   Pixar’s technical expertise had taken steps forward by the time they came to TS4, and it showed.    

 

The Usual Suspects.   Another classic, and still commands our attention. 

 

Hidden Figures.  The true story of the team of black women who were the human ‘computers’ behind NASA’s great achievement putting John Glen ingo space.   

 

Portrait of a Lady On Fire.  A rather beautiful French movie, set the 18th century Brittany, using the dynamic of a portrait artist and her sitter to explore feminism among other contemporary issues.  I cannot remember if there are any speaking parts for men, and I certainly did not miss them. 

 

The Grand Budapest Hotel.  Almost every shot is a cinematic masterpiece with great jokes and a reminder how comic actor Ralph Fiennes is.  

 

Get Out.   I saw Daniel Kaluuya 9 years ago in a BBC series, and knew he must go far.  He starred in this just before making Black Panther.   A Jordan Peele thriller/horror about racism, but much more sophisticated than that sounds. 

 

The Princess Bride.  William Goldman wrote Butch Cassidy, All the President’s Men, The Stepford Wives – and this, Directed by Rob Reiner, honouring and subverting the fairy tale tradition,  as a farm boy turns Pirate, and climbs the Cliffs of Moher to be re-united with his love.  Made in 1987, but still quoted.   Cary Elwes, Robin Wright and Mandy Patinkin.    

 

About Time.   A Richard Curtis charmer, with Domhnall Gleeson, Rachel McAdams and Bill Nighy doing what they do well, in a gentle romance with a science fiction twist. 

Joker.   Controversial, disturbing, and I think truly tragic, with an Oscar winning performance by Joaquin Phoenix.  I had to see this movie 3 times before I could come to terms with it.  

 

Inside Out.  Pixar strike again, showing us some of the emotions ( Joy, Sadness, Disgust, Fear, and Anger) that battle for control in the mind of a young teenage girl when she and her family move across America. 

 

Le Mans 66   The story of Carroll Shelby, the American sports car designer (The Shelby Cobra) and his English driver Ken Miles, hired by  Henry Ford II to build a car and beat Ferrari at Le Mans.   Matt Damon and Christopher Bale, star, with Caitriona Balfe as Mile’s wife.  This is not only a brilliant racing movie, but a strong human drama, made with wit and heart.   

 

And the TV series

 

Black Earth Rising;  Hugo Blick wrote this about the Rwanda tragedy and it fall out, with Michaela Cole, John Goodman and Fiona Shaw.  (I have Blick’s An Honourable Woman on disc, with Maggie Gyllenhaal, which is as good.  

 

Staged.  15 min episodes with David Tarrant and Michael Sheen being ‘themselves’ in lockdown, talking over skype about the play they are not rehearsing.  If you like them you will love this.    

 

Lupin.  A French thriller, inspired by an early 20th French series of novels about a ‘Gentleman Thief’, similar to du Maurier’s English toff, Raffles.  But this Lupin is a modern Afro-Frenchman, with an immigrant father, raised out of poverty, and looking for very specific justice.   Oman Sy, a stand-up comedian who starred in Untouchable a few years ago- also on Netflix now, seems like Luther/Sherlock Holmes/Batman. 

 

Criminal.  Written by the man who wrote Lupin, and some of Killing Eve, each episode is set in the same Police Interview  room.  Some great ‘guest performances.   

 

And of course, The Queen’s Gambit.  I love the performances, the chess (Gary Kasparov made sure the games were ‘proper’) and the exact evocation of the times and fashions.